Stanford-era!Dean
Country Music
When the dogs in my neighborhood go wild
over the patrol car’s red and blue scream, the lights hitting
someone’s window like electric tickertape
and I know some of those dogs are biters
because I was someone they bit,
I begin to think about the lives of men
and how we carry the heavy load of muscle, the rumble and ruckus,
without a single complaint
while vulnerability barely lifts its face from the newspaper.
But I’ve been drinking. I’m a little messed up
and there’s something about cigars and bourbon I no longer want
to be a part of. I remember how Kate would slip out
of her jeans, her bra. How she appled my body;
all that sweet skin and core, the full mouth and pulp.
She was like a country song
playing underneath an Egyptian cotton sheet, the easy kindness
of her body finding its way into mine.
But I have a father somewhere. I have a way
I’m supposed to walk down the street like a violent decision
that hasn’t been made yet.
I don’t care how many hours you put in
weeding the garden
or how much you love modern dance. You’ll still slip back
into your knuckles.
You can carry your groceries home in your public radio tote bag.
You can organize a book club.
You can date an Indonesian hippie with dread-locks
but you are never far from breaking someone’s jaw.
When I was twenty-three I went to a party,
drank two Coronas, and slapped my girlfriend across the face.
I wanted someone to beat me.
I wanted to get thrown into the traffic
I had made of my life,
to go flying over the couch
where two skater kids were smoking pot out of a Pepsi can
and talking about a friend
who ollied over a parked car the same day he got stabbed
at the mall.
-- Matthew Dickman
| | alles war ihm beseelt, und alle Seelen waren eins ( |
May 4 2011, 18:18:05 UTC 1 year ago
May 5 2011, 02:36:50 UTC 1 year ago
I have a way
I’m supposed to walk down the street like a violent decision
that hasn’t been made yet.
I don’t care how many hours you put in
weeding the garden
or how much you love modern dance. You’ll still slip back
into your knuckles.
It's so Dean and, then, so Dean about Sam. Stanford era, you've nailed it exactly. I am kinda frothing over this poem now, thank you for posting it :D
May 5 2011, 21:33:47 UTC 1 year ago
"Matthew Dickman’s melancholic portraits of impoverished white teenagers dazzle me into the always painful, yet easily forgettable, awareness that many people suffer psychically under the knife of American prosperity. Outside the frame of these poems lurk the children of female-headed homes; parents who work two or more jobs; teenage moms who live in “Drug-Free Zones” and “Urban Renewal Zones,” unkempt neighborhoods whose parks are normally full of drugs; teen addicts slumping toward oblivion; and fathers for whom the closest thing to therapy is domestic abuse."
I read an interesting essay (I think it was someone's college paper) once about how Supernatural both critiques and occasionally idealizes blue collar masculinity, with all the violence it connotes; this poem brings those same themes to mind, methinks.
May 9 2011, 06:54:19 UTC 1 year ago
(Dude, somehow lj marked this as a suspicious comment and I didn't notice till now? sorry about that! wtf, lj)
May 9 2011, 15:57:44 UTC 1 year ago
(no worries, haha)
May 9 2011, 20:22:55 UTC 1 year ago